Udta Punjab begins at night, in the lush green fields swaying merrily in the winter breeze. A disc that lands flying on the crops costs millions and is picked up by a young immigrant contract labourer from Bihar. And the mayhem commences.
With all the controversy that the film has garnered over the past months, might I say that it is worth almost every minute of watch. The scenario it reveals about Punjab is astounding. Despite the motley of disclaimers that label the film as a work of fiction, it seems shockingly real. I have never been to Punjab but had doses of the silky yellow mustard fields – courtesy Bollywood. I know that romance in those fields is not what Punjab is only about; just like Calcutta that is not entirely resting on Howrah Bridge and roshogolla. The innocence of that romance has long been veiled by the white powder that rules. It seems, the penetration of powder (and liquid) in Punjab is an issue that has been carefully concealed from the rest of the country. In a humongous nation like ours, keeping track of the maladies in each state is something that even Governments haven’t managed to accomplish. It is not an excuse to be oblivious of that scenario in Punjab, it’s a shame that a state is gradually crumbling into ruins.
‘Khet banjar te aulaad kanjar’ – probably sums up the film’s true essence.